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POST PRODUCTION

POST-PRODUCTION

COLOR CORRECTION & GRADING

Affordable production insurance, deal memo creation, and pre-pro consultations.

DCP CREATION

We can create an affordable, digital cinema package for your festival run or theatrical distribution.

SOUND DESIGN & MIX

Poor audio can make even the best shot projects unwatchable. We can clean up your mix so it sounds cohesive and professional.

COLOR CORRECTION 

Color correction can be the difference between your project looking like a home movie versus being shot by a professional cinematographer. Great color correction and grading can give your film a consistent high quality look and feel that serves the tone and mood of your story. Let WMM handle your color correction professionally at a fraction of the cost because you only pay for that artist and not the overhead of a large facility.

RATE:

$100/hr (estimate 1 hour per 1 minute of screen time)

Questions? Email us at [email protected]

Get Your Custom Color Quote

COLOR CORRECTION

Color correction can be the difference between your project looking like a home movie versus being shot by a professional cinematographer. Great color correction and grading can give your film a consistent high quality look and feel that serves the tone and mood of your story. Let WMM handle your color correction professionally at a fraction of the cost because you only pay for that artist and not the overhead of a large facility.

RATE:

$100/hr (estimate 1 hour per 1 minute of screen time)

Get Your Custom Color Quote

WHY GO WITH US?

  • Rate includes exports in all the formats you need.
  • We have experience working on a wide range of projects from short films and indie features to commercials and series for major platforms like Netflix.
  • We've streamlined our process and have a straightforward approach to notes and billing. We will only charge you for the time spent working on your project, not the software or fancy gear. 

OUR NOTES PROCESS:

  • 1st round of notes is open to an unlimited number of notes.
  • 2nd round of notes pertains only to anything that was mentioned in the 1st round of notes.
Any additional notes are billed at a $100 an hour rate.

HOW TO KNOW YOU'VE HIRED THE RIGHT COLORIST FOR YOUR PROJECT:

  • They know how to get your project into their software and back to your editor, whether that’s by XML from Avid, Premiere, Final Cut Pro X, or Resolve. If your editor is having a hard time delivering to your colorist or sound designer, WMM can solve that problem for you here.

  • They can match shot to shot. Making your shots match within a scene is almost more important than managing a look. A good colorist will take what your cinematographer already shot and accentuate it in the best possible way and make everything flow together seamlessly. Color correction shouldn't stand out or be distracting. The best colorists quietly make the cinematographer’s work look amazing and don’t do anything flashy unless the narrative specifically calls for it.

  • You can give them your deliverable specs and they’ll know what to get back to you graded in the correct color space. For instance, if they know your deliverable is for YouTube only, they won’t try and charge you for a high end theatrical grade.

  • MAKE SURE THEY GET ALONG WITH YOUR PICTURE EDITOR. Your picture editor and colorist will be working together closely and need to get along and understand how the other works.

Email us for more questions or advice! [email protected]

Get Your Custom Color Quote

DCP CREATION

WMM can help you create an extremely affordable and quick, DCP (Digital Cinema Package) for your festival run or theatrical screening. 

A DCP is about as close as you can get to the quality of a 35mm film print (except at a fraction of the cost.) Your film is encoded frame by frame in JPEG-2000 format and then each element of the film is stored in a separate folder on the DCP.  This high quality format has become the universal standard for about 90% of theaters around the world.  This is a deliverable that most Oscar Qualifying Film Festivals will require for exhibition. 

WHY USE A DCP: 

  • DCPs ensure a superior image in a very reliable and durable state (no deterioration from the 1st screening to 100th)

  • Individual folders allow for easy updating (subtitles or dubbing can be designated for different regions)

  • They can be encrypted to prevent tampering or illegal screenings

Pricing typically ranges from $100-$300 for short films and $400-$700 for feature films.   

Need more info? Send us an email at [email protected] or get a quote for your DCP by clicking here.   Congratulations on your festival run! 

Get A Quote for DCPs

SOUND DESIGN & MIX

You spent all this time prepping, shooting and editing your movie, don’t let the experience get ruined because of distracting, unprofessional audio. Sound design can help create a cohesive, professional mix for your project so your audience never gets taken out of your story. If you're in need of professional sound effects or there's audio that doesn't sound clean, our sound designers can step in to help your project sound its best.

Silence has a sound" - Muhammad Imran. Let sound reflect the story and enhance the experience.

WMM's sound designers are working Hollywood professionals who are comfortable with any deliverable. You spent all this time prepping, shooting and editing your movie, don’t let the experience get ruined because of distracting, unprofessional audio.

Drop us a line to get more info or fill out the form here to get a quote and a reel from the available sound designer.

Click Here To Get a Quote For Sound

HOW IT WORKS

RATES: 

  • Short projects: $225/minute of screen time for stereo & $275/minute for 5.1 surround sound.
  • Feature films and long form projects the rate is negotiable, depending on details.
  • ADR is additional (around $250-300/hr).

WHAT'S INCLUDED IN EACH QUOTE:

  • The Mix / Deliverables

  • Included in flat rates is 2 stereo mix’s to be delivered at 24b 48kwav – 1 film compliant mix, 1 web mix, 1 round of stem’s upon request.

  • Additional Fee for: M&E stem, compliant stems and additional compliant mixes are all billed at an additional hourly rate or negotiable rate.

OUR NOTES PROCESS:

After first mixing session or mix is delivered, there will be three rounds of notes included.

  • 1st round of notes is an unlimited amount of notes you have. 

  • 2nd round of notes pertains only to anything that was mentioned in the 1st round of notes. 

  • 3rd round of notes pertains only to anything that was mentioned in the 2nd round of notes. 

Any additional notes are billed at an hourly rate.

  • Two–Three in remote mixing sessions through zoom or FaceTime. After that it is $50/hr for adjustments to mix.

IF RE-SYNCING IS NEEDED:

Additional fees apply ($80/hr) for having to re-sync audio to picture do to a proper OMF/AAF or new edit of picture.

Get Your Custom Sound Quote